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Showing posts with label The Dead At Sea. Show all posts
Showing posts with label The Dead At Sea. Show all posts

Saturday, 10 December 2016

TOP 16 ALBUMS: The Sour 16 for November 2016


It is that time once again people to cast our minds back, and digest the 16 albums that would become November’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in November, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.


The results are compiled based on page views alone and calibrated into the list below. All reviews and streams can be viewed by clicking the artwork . (Total views since their publication are highlighted in red). 

16). Spirit Adrift - "Chained to Oblivion” (380)

This album is elegantly forged from beginning to end, and has no definable weak chinks in its armour.  Overall, this is likely to be an AOTY candidate for me, and one I have found myself returning to again and again in a variety of moods.


15). Superjoint - "Caught up in the Gears of Application" (381)

This is gnarly and nasty music made by a figure that is both revered and reviled. Through all the controversy, one thing keeps me coming back to listen to Anselmo: the quality of the music. And the music is as potent as ever. A storming return.


14) Animals As Leader - "The Madness of Many " (388)

Tosin Abasi and company find expressionism through mathematic complexity.


13) The Judge – “The Judge (399)

This one is crazy good, and crazy Sabbath inspired too. Give this band a listen, you’ll dig it.



12). Wasted Theory - “Defenders of the Riff (417)


11). Desolate Pathway - "Of Gods & Heroes" (420)

Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here


10). Fvnerals - "Wounds" (443)

“Wounds” is a captivating set of songs that are simultaneously heavy and delicate. FVNERALS unique brand of doom-filtered slowcore creates a powerful feeling that stays with the listener long after the final note has rung out.


09). Holy Serpent - "Temples" (473)

All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.


08). Dusteroid – “To Fathom Hell” (475)

They serve up a king size slice of skull crushing, heavy Sludge that feels like being hit with a sledgehammer repeatedly. Job extremely well done and then some


07). The Dead At Sea - "The Dead At Sea" (479)

A potent blend of early-Pelican crunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave.  “The Dead At Sea” is a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean


06). Ortega - "Sacred States (500)

Ortega are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.  Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons.


05). Call of the Void "A.Y.F.K.M." (508)

Call Of The Void’s sound is a potent cocktail of punk attitude and rock’n’roll swagger coated in a thick layer of sludge aggression. “AYFKM” is an intoxicating adrenaline rush that will keep you coming back for more.



04). 11Paranoias - "Reliquary for a Dreamed of World" (512)

What sets 11PARANOIAS apart from other bands operating in the realms of psychedelic heaviness is the otherworldly atmosphere they conjure. Every note is enshrouded in a hazy fog that lends their music a darkly unsettling feel.



03). Ghoul – “Dungeon Bastards” (828)

So many bands try to do what Ghoul is doing and just can't fucking get it right. This is a perfect storm. Superior song writing, technical prowess, and an awesome aesthetic.



02). Mother Mooch - "Nocturnes" (991)

Their blend of psychedelia with grunge and stoner rock/doom is a highly sought after formula and Mother Mooch are keeping the secret closely guarded - and rightfully so.  ‘Nocturnes’ is an astounding album from a band that have the potential to conquer the world.


1). Metallica - "Hardwired…To Self Destruct" (1565)

Metallica have rediscovered their mojo, brought the heavy and most importantly appear to be enjoying themselves. An album, of two halves, with a cracking opening salvo on side “A” and “B” side, marred only by one throwaway track.  If not perfect, it is the best music they have produced in over two decades and is the natural successor to the Black Album. 


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler, Conor O’Dea, Jake Wallace, Eric Crowe, Rick Ahmed, Bobo Coen & Phil Weller

Saturday, 19 November 2016

ALBUM REVIEW: The Dead At Sea - "The Dead At Sea"

By: Charlie Butler

Album Type: Full Length
Date Released: 01/11/2016
Label: Independent



A potent blend of early-Pelican crunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave.  “The Dead At Sea” is a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean

“The Dead At Sea” CD//DD track listing:

1). The SS Corvus
2). 9 Knots
3). Convoy HN25
4). Drop Anchor

The Review:

Birminghaminstrumental trio The Dead At Sea make a bold statement of intent with their self-titled debut release. Comprised of members of doom titans, Opium Lord, and stoner veterans, Mothertrucker, the band wade through four leviathan compositions over the course of forty minutes.
This release is suitably heavy for a concept album based on the grim fate of the SS Corvus, a Norwegian steamship sunk by German U-Boats in the English Channel in 1945. A potent blend of early-Pelicancrunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave. “SS Corvus” opens proceedings in grand style while “9 Knots” takes things in a hazier, more psychedelic direction, at times reminiscent of underrated post-metallers, 5ive.
The second half of the album raises the stakes on the heaviness front. “Convoy HN25” kicks off with the kind of high-octane riffage Josh Homme wishes he could still deliver and “Drop Anchor” uses its mammoth fifteen minute duration to build to a pummellingclimax, complete with a suitably epic solo.
The band’s unconventional line-up of twin guitars, drums and no bass lends these tracks a distinct character. The guitars are coated in enough thick distortion to pack a powerful low-end gut-punch during the heaviest moments while the lack of bass adds a captivating delicacy to the quieter moments. Some of the album’s best moments come when the volume is dialled back, like the haunting Slint minimalism of the outro of “SS Corvus”.
This is an impressive debut from The Dead At Sea, a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean. Hopefully another soundtrack to nautical doom will be with us soon.

The Dead At Sea” is available here
Band info: bandcamp|| facebook

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