ALBUM REVIEW: Ultha, "The Inextricable Wandering"

By: Elliot Paisley

Album Type: Full Length

Date Released: 05/10/2018

Label: Century Media Records

On “The Inextricable Wandering”, Ultha have shown both potential for the future and a mastery of what they have already achieved.

“The Inextricable Wandering” CD//DD//LP track listing:

1. The Avarist (Eyes Of A Tragedy)
2. With Knives To The Throat And Hell In Your Heart

3. There Is No Love, High Up In The Gallows
4. Cyanide Lips
5. We Only Speak In Darkness
6. I’m Afraid To Follow You There

The Review: 

While having a well-renowned pedigree for producing exceptional heavy metal, Germanyhas scarcely produced a black metal outfit who can compete with their Scandinavian and North American competition. It’s a curious blemish; thrash metal, power metal, classic heavy metal and even death metal all have Teutonic titans. Yet, there isn’t a German black metal band who can be held in the same regard as Wolves In The Throne Room or Altar Of Plagues, much less Burzum, Bathoryand Emperor. However, while Ulthaare still in what is, comparably, the embryonic of their career (having only formed in 2014), the potential displayed on their 3^rd studio effort “The Inextricable Wandering” more than makes them worthy of attention.

It is vocally where the album stands out in its more defiant form. The stereotypical vocal employed in black-metal has, over the decades, developed into a fairly limiting art form. With seemingly either a banshee-wail or a demonic rasp being the two options one can employ, it is wildly refreshing when bands strive into unexplored territory. The vocals present on this album, while sparse, provide a more guttural, avant-garde counterpart to the chilling instrumentation. With a duelling vocal dynamic that owes more to both Douglas Pearce and Nick Holmes than to Ihsahn and Cronos, the band explore peculiar frontiers, and makes for a welcome, refreshing listen. Black metal, to those who care less for it, is often described as a limiting art form. While it is true that there are key tropes commonly adopted by countless black metal outfits, this can also be part of the charm. Like fans of slasher films, those who worship this style of music often enjoy the rules and boundaries, seeing them as guidance rather than restrictions. While there is something to be said about tunnel-vision allegiance to the rules of a bygone era, it is far more refreshing to hear deviation, especially of such a high standard.

Musically, admittedly, there isn’t a great deal to report; Ultha play atmospheric black metal, a genre which has suffered from overpopulation, but it is performed to a standard of brilliance. While the genre has indeed grown saturated and many dedicated black-metal fans have accused it of expiration, it is performed with quality and conviction that it is impossible to resist. It provides a stark, monochrome backdrop to the superb vocal performances, and allows the songs to breathe in the way they warrant.

The production job on this album is also something to behold. In the last decade, it has become more acceptable for black metal artists to opt for more professional production. Both major-label players like Dimmu Borgir or Cradle of Filthas well as cult icons such as Forteresse and Agalloch have encouraged the presence of clean, lavish instrumentation, and that effect can be felt on this album. “The Inextricable Wandering” would not be half the album it is if the material was quashed with a sub-par production, and this is the finest Ulthahave sounded so far. On past albums, they’ve shown ambition in this regard but failed to do justice to their capabilities but now, perhaps with the backing of Century Media, they have the tools available and the know-how needed to improve their art and it’s made all the more tremendous for it.

Ultha are still new to the world; they’ve not even been a band for five years. Yet, on “The Inextricable Wandering”, they have shown both potential for the future and a mastery of what they have already achieved. With three albums now under their belt, it is clear that they have progressed at an extraordinary rate, and they’ve finally released an album that justifies their talents. It’s exciting to ponder at where this band may go next. All we know for sure is that we can trust them.

“The Inextricable Wandering” is available HERE

 

Band info: facebook

ALBUM REVIEW: Bast, “Nanoångstöm”

By: Chris Bull


Album Type: Full Length

Date Released: 23/11/2018

Label: Black Bow Records

 

Bast have certainly developed creatively and have released another standout album in the world of heavy music

 

“Nanoångstöm” CD//DD//2LP track listing:

1. Distant Suns
2. Far Horizons
3. The Beckoning Void
4. Nanoångström
5. A Red Line Through Black
6. The Ghosts Which Haunt the Space Between the Stars

The Review:

When I heard Basthad recorded and released their 2nd album 'Nanoångstöm', I knew I was the right SLUDGELORDto put my name forward for the review.

4 years have passed since the release of 'Spectres', in my opinion, one of the best heavy records to be released this century, so Bast face an uphill struggle to better, let alone match the benchmark they previously set. 'Distant Suns' immediately leaps for the aforementioned benchmark, with the solemn bass intro, like a lonely astronaut floating through space, gathering momentum and hurtling towards the epically heavy 'Far Horizons', where the contrasting vocals of drummer Jon Lee's blackened growl and guitarist Craig Bryant's deep below overlay the Primordialesque folk tinged black metal. The album ebbs and flows seamlessly highlighting Bast'spenchant for the epic and enthralling, as 'The Beckoning Void” and the title track deliver moments of brutality, subtle tempo shifts and glorious melodies all wrapped up in progressive and finely crafted song writing.

'A Red Line Through Black' harks back to 'Spectres' building upon Bryant's moody guitar and vocal work, through some heavy prog inspired riffing to create a sonic journey full of the unexpected. By the time  'The Space Between the Stars' opening tremolo laden riff and blast beats slow down to allow the song the room to breathe, the unexpected becomes the ordinary as riffs, licks and screams leap out from all corners, dragging you, towards the black hole they created.

While Bast's influences may be apparent to some, with nods in the direction of a few of black metal's proggiest bands, it's the personal touches and subtle nuances that forge the main body of their sound. Bast have certainly developed creatively and have released another standout album in the world of heavy music. Whether it will leave as lasting an impression as 'Spectres' remains to be seen, but several more spins will go a long way into that decision. Now, where's that repeat button...

“Nanoångstöm” is available HERE

Band info: bandcamp|| facebook

REVIEW: The Secret, "Lux Tenebris" EP

By: Chris Bull

Album Type: EP

Date Released: 31/08/2018

Label: Southern Lord Recordings

“Lux Tenebris” is absolutely terrifying in its delivery and atmosphere, by the time the slower riff of “Cupio Dissolvi’ cascades into the ether, you’ll begin to wonder whether you’ve listened to an EP or been sacrificed to a dark entity.

“Lux Tenebris” DD//LP track listing:

1). Vertigo

2). The Sorrowful Void

3). Cupio Dissolvi

The Review:

Italians The Secretare a band that are difficult to pigeonhole. Equal parts blackened hardcore, sludgy crust and nihilistic grind, with a pinch of apocalyptic doom for good measure, they seem to get heavier...and indeed better, with each new release. So it comes as no surprise that ‘Lux Tenebris’ the new 3 track EP is a maelstrom of hell fire and fury.

From the slow build of 'Vertigo' with its evil melodies penetrating the methodical black magic ceremony within, it switches gears as it struggles to contain the raging beast that is 'The Sorrowful Void'. Absolutely terrifying in its delivery and atmosphere, the track takes no prisoners and the blastbeat halfway through is almost a respite from the oppressive nature of the music.

Closer ‘Cupio Dissolvi’ is probably the blackest and nastiest the band have ever sounded; the tremolo riffs, blasts and d-beats create a magnanimous and utterly filthy piece of music that stands out among this year’s releases. By the time the slower riff cascades into the ether, you’ll begin to wonder whether you’ve listened to an EP or been sacrificed to a dark entity.

“Lux Tenebris” is available here

Band info: bandcamp|| facebook

SLUDGECAMP #5: A deep dive into the newest black/death metal releases on Bandcamp w/c 17/08/2018

By: Daniel Jackson

Rebel Wizard

Welp, it didn’t take long, but life got in the way and I missed several weeks worth of “Sludgecamp”. I don’t believe this is going to be a recurring thing, so hopefully I’ll be a lot more consistent from here on in! This week is another largely black metal affair, with a bit of death thrown in for some balance. It’s also heavy on new pre-orders as opposed to albums released this week. As always, I hope you find something to love here!

Released this week:

1). Rebel Wizard, “Voluptuous worship of rapture and response”

This album is garnering plenty of praise and hype, and with good reason! The music is an infectious blend of NWOBHM and black metal, housed within the harsh, fuzzy production B. Nekrasov has favored from the project’s inception. With wild song titles (“Drunk on the wizdom of unicorn semen”, for example) and brilliantly crafted riffs, Rebel Wizardfeels like something of a sure bet, with each new release improving over the last. When you combine this kind of excellent songwriting with flashy lead guitar work, and then wrap it in this kind of bat-shit crazy exterior, the appeal seems so obvious that greater success feels like an inevitably at this point.

2). Ladnah,“Within Dark Realms”

Coming to us from Greece is Ladnah, with the two tracks available offering two very different experiences. “The Awakening”has a very strong Emperor vibe, circa ‘Wrath of the Tyrant’ and the self-titled EP. The other song, “Belial Rises From The East” has much more of a current day Sargeistkind of feel to it, but both are well done. This is a total throwback, and would have fit in amazingly well as one of the super underground bands featured in one of those old Blackened compilations back in the 90s. This is well worth checking out if you have an affinity for that mid to late 90s symphonic black metal sound.

New Reissues on Bandcamp:

3). Mactätus, “Provenance Of Cruelty” (Napalm)

In something of a fun coincidence given the previous band’s similar stylistic choices, underrated symphonic black metallers Mactätus have made their way to bandcamp via their old label home Napalm Records, and they’re ready to rouse your late 90s symphonic black metal nostalgia as only they can. Released originally in 1998, this album strikes a nice balance between the early Emperor material and pre-Galder Dimmu Borgir. 

New Pre-Orders:

4). Dödsrit, ‘Spirit Crusher’(28th of September)

Prosthetic Recordshas been on something of a tear this year with well-regarded albums from Skeletonwitch, Monotheist, and now this week’s Rebel Wizard all under their belts this year. They’re coming back very quickly with another can’t miss album. This time, they’re presenting us with a brand new Dödsrit album; less than a year following their remarkable debut, and the preview song plain old fucking kills. Their last album was on my year end list, and by the sound of this, they’re damn well likely to be there again this year. If you have any interest in atmospheric black metal, crust, or both: buy this. Immediately.

5). Mutilated by Zombies, ‘Scripts of Anguish’(5th of October)

Awesome old school death metal, though of a different sort than you might be thinking. This one should appeal more to the Morrisound, Florida death metal devotees of the world, offering that early Deicide viciousness with the rhythmic chops of prime Dying Fetus and Deeds of Flesh.

6). All My Sins, ‘Pra Sila - Vukov Totem’(23rd of September)

Raging melodic black metal out of Serbia, and self-described as “South Slavic Black Metal Mysticism”. The relentless blasting here is paired with icy tremolo riffs with a touch of folk sprinkled in throughout, with the end result approaches something like the current day Finnish black metal sound, only at hyperspeed and with a cleaner production. “Vetrovo Kolo”, the song available to preview, rarely stops long enough to let you catch your breath, but the ride is well worth the exhaustion.

Band info: Ladnah || Mactätus || DODSRIT || Mutilated By Zombies|| All My Sins

ALBUM REVIEW: Skeletonwitch, “Devouring Radiant Light”

By: Richard Maw

Album Type: Full Length

Date Released: 20/07/2018

Label: Prosthetic Records

The band has done something that not many bands can pull off, they have changed their style and made a very good record.

“Devouring Radiant Light” CD//DD//LP track listing:

1). Fen of Shadows

2). When ParadiseFades

3). Templeof the Sun

4). Devouring Radiant Light

5). The Luminous Sky

6). The Vault

7). Carnarium Eternal

8). Sacred Soil

The Review:

This is a turn up for the books. Skeletonwitch, purveyors of the finest blackened thrash, return with their first full length release with a new vocalist and... They have changed. “The Apothic Gloom” hinted at this; longer songs, less thrashing and so on. Well, once “Fen of Shadows” gets going it does thrash, but it mostly black-metals (not a verb) throughout its considerable eight minute playing time. The track, really, is black metal of the modern variety.

There is a lot of riffage to get your teeth into on “When Paradise Fades”, but the riffs are more melancholic, less brutal, less aggressive. This isn't as serious a volte face as Paradise Lost after “Draconian Times”or anything, but this is certainly a different record from what can only be viewed as a different band.

The material here is uniformly of high quality and there are blasts, melodic riffs, excellent vocals and state of the art drums aplenty. How this will go over with the band's fan base is another matter. “Temple of the Sun” ups the thrash quota effectively and this is not Wolves In The Throne Room or anything like that, but the raw aggression of previous albums has been smoothed off- no rough edges here. The title track even has a clean intro- and slow pacing!

As the album enters the back stretch, the stylistic shift is cemented and there is no going back to the sound of “Breathing The Fire” et al. The triplet time feel of “The Vault” is great, the track sprawling and full of great riffs and performances. The three minute burn of “Carnarium Eternal” is the closest thing here to anything off “Serpents Unleashed” or “Beyond The Permafrost” and really lets rip with the killer riffs and changes. By the time of “Sacred Soil”, the band has done something that not many bands can pull off. They have changed their style and made a very good record.

Whether this is a record that fans of Skeletonwitch want to hear is another matter. Metal fans are notoriously traditional in their wants and needs from certain bands. I confess that this is very unlikely to usurp “Serpents Unleashed” or even “Forever Abomination” from my playlist, but that is just me- I want blackened thrash... I want Skeletonwitch to play it. The change here is akin to Belphegorjust becoming a straightforward black metal band and foregoing all the death metal elements of their sound. Make no mistake, this record is a victory but only time will tell if is a pyrrhic one in terms of the band's fan-base. Try it out as you may well love what they have done here; just forget their past.

“Devouring Radiant Light” is available here



Band info: bandcamp || facebook

REVIEW: Craft, "White Noise and Black Metal"

By: Mark Ambrose

Album Type: EP

Date Released: 22/06/2018

Label: Season of Mist

With their frenetic guitar work, inspired bits of avant garde songwriting, and bleak lyrics, Craft are dead set on reminding us that the vast majority of existence is a lifeless, black wasteland.  

“White Noise and Black Metal”CD//CS//DD//LP track listing:

1. The Cosmic Sphere Falls

2. Again

3. Undone

4. Tragedy of Pointless Games

5. Darkness Falls

6. Crimson

7. YHVH’s Shadow

8. White Noise

The Review:

               

Summertime black metal is a weird proposition for me.  It’s warm, it’s sunny, everyone is hitting the beach, and, here in the northeastern US, it’s been repugnantly humid.  It feels much more like deathy, sludgy, occasionally grind weather to me.  That deep, swampy rot that makes you want to pass out in the shade somewhere, until the temperature starts to drop at night and the prospect of frost in the morning is suddenly in the air again.  The real beginning of black metal season, in other words.  But occasionally you get something that blasts a frozen gust through the humid misery, showing a glimpse of that endless, cold waste at the heart of black metal.  From what I’ve heard, Immortal’snewest record manages to return the listeners to Blashyrkh, even in the hundred degree days of July.  Less heralded but no less impressive is the latest from Sweden’s Craft, who have been quietly amassing a small but incredible discography in the last twenty years. 

It’s been seven years since Craft laid out a full length, and metal empires have risen and fallen.  It’s appropriate that with opener “The Cosmic Sphere Falls”coalesces around timeless themes: depression, dread, apocalypse, death and destruction.  “It is eternal. It is beyond.”  The winding, interweaving guitar lines, slightly askew time signatures, and whispered/screamed lyrics are hypnotic and terrifying – almost avant garde but simultaneously catchy.  The bass is palpable and there’s nearly no midrange – in my ears a perfect black metal balance.  And while the drumming is amazing, it’s not overly busy.   Lyrically, “Again” is far more harrowing than the icy cold opener.  A description of self-harm descending into self-annihilation, it’s juxtaposed against an undeniably hooky guitar line and rhythmic stomp.  The dual guitar leads of Joakim Karlsson and John Doe, skewing off into discordant tremolo bursts, are sickening, while the double-time bursts are oddly affirming against such miserable themes.

“Undone” solidifies the tension at the core of “White Noise and Black Metal”: personal turmoil and universal chaos.  “Undone”pulls back from the suicidal precipice of “Again”, focusing the speaker’s rage toward a cosmos in need of annihilation.  The tone is appropriately symphonic – spiritually, that is.  This doesn’t go full Dimmu Borgir or anything.  “Tragedy of Pointless Games” trades the epic for the individually misanthropic once again.  It’s a somber dirge that sounds like the best of mid-period Celtic Frost – I even expected some OUGH!s to burst through the gloom.  Instead, singer Nox opines “Awakened and cast into fleshbound pain / Into a tragedy of pointless games,” with such conviction that I felt utterly frozen in the midsummer heat. 

When it feels nearly unbearably grim, “White Noise and Black Metal” shifts toward a black ‘n’ roll banger, “Darkness Falls”.  Somewhat evocative of latter day Satyricon (natch), the first track of side two is a bit of an amalgam of the themes so far, with some creepy otherworldly descriptions sneaking into a grim reality.  But before things can get too fantastical, the true horror emerges at the end: “There's a shadow hanging under a tree / And a rope is a tool to set one free.”  Instrumental track “Crimson”is an interesting dirge, highlighting the musical prowess of Karlsson and Doe, and allowing bassist Phil Cirone’s skillful and restrained work to shine, but it still feels a lot like any other instrumental interlude.

Thankfully the last two tracks may be the best on the record.  “YHVH’s Shadow” is a blasphemous screed that is, once again, catchy as hell, especially in a four on the floor headbanger midsection that may be the most fun on a depressing record I’ve had this year.  The sinewy, sinister lead guitar line was stuck in my head for days after my initial spin of the record, and is some simple, inspired songwriting.  The final track, “White Noise”, is a final kissoff to existence itself – individual or universal, where the human experience is something to be endured, a “distasteful, tiresome thing.”  I should note here that Nox’s delivery is uniformly excellent on the record, but on this track it may be the most intelligible, adding extra heft to the fury.  There’s a dynamic balance between the chugging rhythm guitar and the high end lead work, and a final crescendo that’s so intense it feels like the world itself may be falling to pieces.

Against all expectations, I found myself truly immersed in a black metal record despite the season, despite the warmth, the sun, the muggy misery.  I was reminded that the heat death of the universe is inevitable, that the nature of things is stasis, that death is so, so much longer than the brief bits of living.  “White Noise and Black Metal” is more than a glimpse of winter – it’s a blast of cosmic cold.  With their frenetic guitar work, inspired bits of avant garde songwriting, and bleak lyrics, Craft are dead set on reminding us that the vast majority of existence is a lifeless, black wasteland.  That’s far more chilling than even the darkest Norse myths or winter nights.

“White Noise and Black Metal” is available here

Band info: bandcamp || facebook

ALBUM REVIEW: Inexorum, "Lore of the Lakes"

By: Daniel Jackson

Album Type:Full Length

Date Released:27/07/2018

Label:Gilead Media

This is an exceptionally composed and fully realized project. This is one person putting together all of these different elements and insuring that they work together to create something powerful in unison and for that reason I can’t recommend this album to you highly enough. 

‘Lore of the Lakes’ LP//DD track listing:

1. Raging Hearts

2. Let Pain Be Your Guide

3. Years in Exile

4. To Omega

5. Lore of the Lakes

The Review:

‘Lore of the Lakes’ feels like an album made specifically with me in mind. Its sound, courtesy of Inexorum’ssole member Carl Skildum, is a rich mixture of melodic black metal and melodic death metal. It’s a style that mixes the deep sorrowful melodies of bands like Sacramentum and Vinterland, and reinforces those melodies with the heavier death metal side of things, like an In Aeternum or early God Dethroned. But these comparisons are only to get you in the general ballpark; Inexorum has a sound all its own.

‘Lore of the Lakes’ has what I like to call a “world building sound”. The trem-picked melodies here are the kind of atmospheric that has more to do with creating images of natural landscapes or fanciful scenes in your mind than it does with keyboards or heavy effects on the guitars. It’s in that sense that this album displays just how beautiful extreme music can be. Even as the opening moments of “Raging Hearts” see the drums blasting away in properly brutal fashion, the guitars weave their way through the beat in a way that evokes a sort of melancholy fantasy. The locomotive double bass that follows is complemented by fretwork that is more nimble than before, and it all builds to an emotional climax of harmonized guitar leads that soar atop the commotion beneath them.

That’s just one specific example of something that is true of the whole album: this is an exceptionally composed and fully realized project. This is one person putting together all of these different elements and insuring that they work together to create something powerful in unison. Even at what is often an unrelenting pace, the music takes on different dimensions, sometimes feeling hopeful or driven, others feeling even whimsical. But the heart of the album is the sense of wonder it creates, bringing the listener into a world built with evocative chords and harmonies. That it does this despite being largely a guitar/bass/drums-centric affair speaks volumes about Skildum’s ability and imagination.

So yeah, ‘Lore of the Lakes’ is fucking great. It’s the kind of album that made me want to yammer on incoherently about worlds and fantasy and whatever the hell else. And when an album makes you want to talk about the deeper emotional and cognitive impact of music, even if you’re woefully ill-equipped, as I am, then it has to be an album worth investigating. There are scores of albums with great riffs. But it’s not every day you have an album come your way that actually encourages you to use your own imagination as you listen to it. And if that’s something you value; I can’t recommend this album to you highly enough.

‘Lore of the Lakes’is availablehere

Band info: Facebook

ALBUM REVIEW: Marduk, "Viktoria"

By: Richard Maw

Album Type: Full Length

Date Released: 22/06/2018

Label: Century Media Records

Black metal continues to be one of the most divisive and politically charged of metal's sub genre's, but there is also fantastic music to be found from the genre's biggest and best players. Marduk are amongst the elite.

“Viktoria” CD//DD//LP track listing:

01. Werwolf

02. June 44
03. Equestrian Bloodlust
04. Tiger I
05. Narva
06. The Last Fallen
07. Viktoria
08. The Devil's Song
09. Silent Night

The Review:

Sweden's premier WW2 obsessed black metallers are back with a vicious counter attack against the controversy that the band have faced in recent years. A more underground proposition than Watain, Mardukhas always been amongst the best in their chosen genre. Opener “Werwolf” is truly venomous and makes use of an extremely well suited production. As I am always at great pains to point out, I am no expert on the world of black metal (or anything, for that matter!) but I know what I like and this is one such record.

Nine tracks of 3-4 minutes each; varied in tempo and approach is what you get. I think this even outstrips the fantastic “Frontschwein”of a couple of years back; it's feral and exciting stuff. This is how lack metal is supposed to sound: raw, uncompromising and very, very cold.

If you are a fan of Marduk, much like any band, you probably have your favourite album (“Panzer Division Marduk” seems to always feature on such lists- as it does for me), but this one may well be up there for old and newer fans alike. It's dramatic- hear “Equestrian Bloodlust” for proof- not afraid to slow down when necessary and offers up some seriously impenetrable blast sections as well. As the best black metal often does, it also retains an almost punk like approach to the writing and the sound; rough and ready (but not “Transylvanian Hunger” rough!) and features some interesting stops and starts via slow cymbal counts- a cool trick.

Picking out highlights is tough, as the quality is uniformly high, but if you want an example of where Marduk are at this time around, then try out “The Last Fallen” or the title track- both are reliably vicious, albeit in different ways.

If you like black metal of a certain type (Scandinavian, classic, trve etc) then this is absolutely a record to hear and own. If you have ever liked what Mardukdid in the past, you'll like this. If you are more into modern post-black metal... leave the hall. Black metal continues to be one of the most divisive and politically charged of metal's sub genre's, but there is also fantastic music to be found from the genre's biggest and best players. Marduk are amongst the elite.

“Viktoria” is available here



Band info: facebook

SLUDGECAMP #4: A deep dive into the newest black metal releases on Bandcamp w/c 13/07/2018

By: Daniel Jackson

Stíny plamenů,

Welcome back to “Sludgecamp”! Summer is in full swing, so of course I’m about to recommend you a bunch dark, depressing, downright bleak music to ruin all the good energy the life-enriching sun is blessing us with on these long, hot days. Whereas last week was particularly death metal-heavy, this week is essentially an all black metal extravaganza! As always, I hope you find something to love here!

Released this week:

1). Stíny plamenů, ‘20 let kanalizačních zmetků’ (Czech Republic)

 
Stíny plamenůis a name I’ve heard over the years, and it’s one I’ve wondered about each time I see it, but I’ve never really pulled the trigger until now. I’m glad I did this week! Though weirdly obsessed with sewers (so much so that it’s the first theme listed in the band’s lyrical themes on Metal Archives), the music is an awesome throwback to that speed-crazed late 90s black metal sound. The riffs here have depth and personality, stabbing and twisting as the songs roll along, all with a touch of melody. The performances here are so precise and yet so natural, which makes this an absolute joy, especially if you’re a big fan of the more melodic side of 2nd wave black metal.

2). Svältvinter, ‘Att Öde Vara’ (Trollhättan, Sweden)

 
This is some pretty straightforward black metal, but with an obvious eye on whatever the greenest pastures of the genre might be. The songs are written specifically to stick in your head and make an immediate impression. It’s a brilliantly stipped-down, nearly punk rock approach that gives the band plausible deniability when it comes to selling out, while being immediately accessible in a way you might have expected from an early 2000s Moonfog Records band. The vocals are absolutely venomous here, and lead off track “Skogsbrand” even features something approximating gang vocals. The EP concludes with an uncharacteristically atmospheric song, swinging along in a way that almost gives it a folk metal feel. Great stuff all around, if you don’t mind an especially “basic” songwriting style.

3). Kryptamok, ‘Profaani’ (Finland)

Blood Harvestthis week brings us a delicious gritty black metal EP, via Finland’s Kryptamok. Where reinventing the wheel clearly isn’t the goal here, the band succeeds in a big way by taking a classic, established sound and just doing it in way that feels raw, vital, and coursing with frenetic energy. You’ve likely heard something that sounds like this, but it’s rarely done this well.

4). Qafsiel, ‘The True Beast’ (London, UK)

 
The band have self-tagged themselves as blackgaze, and I get that this might appeal to fans of that genre somewhat, but truth be told there’s a lot more going on here, and none of it strikes me as Alcest or Deafheavenworship. So what is going on here? It’s dense and heavy for a black metal band, and the atmosphere here comes across as more powerful than the more delicate vibe you tend to get in a blackgaze band. Really, this is current day atmospheric black metal that should appeal to folks to like a band like Mgła as much or more that it does a fan of Lantlôs or the like.

5). Codex Daemonicum, ‘Doctrines of the Fallen’

    

Simplified in a similar manner to Svältvinter, though much more atmospherialc bent overall, is Codex Daemonicum. These riffs will often straddle the fence that resides between prime 90s Mardukand ‘De Mysteriis Dom Sathanas’. The songs immediately feel familiar, but with a character of its own. As with our last band, the name of the game here is immediacy. Codex Daemonicumseems content to let their classic 2nd wave guitar work take center stage, as the vocals are drowned in reverb and mixed quietly enough that they take a back seat to almost everything else going on. It’s a unique tactic for a band that favors this specific black metal sound, but it works well here. Bonus points to Blood Harvest for having two strong releases come up in one week like this.

6). Solitary Key, “Sulphosfurous”

Raw, lo-fi, punk-ish, and dripping with schlocky charm, Solitary Key are probably the most fun album on the list this week. The key (sorry) here is the purposefully cheap-sounding keyboards, which give the whole thing an almost cartoonishly spooky feel; the stuff of local horror hosts’ late night movie marathons, rather than something more stoic and grim.The riffs here are catchy as can be, with Solitary Key feeling like the kind of band that would fit in nicely on a bill with Carpathian Forest or Emperor in their demo years.

7). Mythic Dawn, ‘En Svunnen Tid’ (Sweden)

To get right to the point: this stuff is super by-the-book. It’s so basic that I’m having a hard time explaining why I’m so drawn to it. There’s something powerful in being this doggedly committed to a subgenre’s orthodoxy. Its black metal stripped down to only its essential core elements. Fans of Darkthrone, Judas Iscariot, etc. have a good shot at enjoying this. It’s cold, fuzzy, harsh, and unabashedly grim, and that’s more than good enough for me!

New Pre-Orders:

8). Dauþuz, “Des Zwerges Fluch’ (25th of August)

With so much to talk about from the albums released this week, I felt it necessary to focus on just one pre-order this time around, so I’m going with Dauþuz. Naturmacht Productions released the band’s excellent ‘Die Grubenmähre’ last year, and they’re already back with a new release next month. It’s the same sort of powerful, pitch black melancholy that made ‘Die Grubenmähre’ so great. In fact, if I’d heard it before the end of the year last year, it would have almost certainly made my year end list. The track we can stream now bodes well for ‘Des Zwerges Fluch’ in 2018!

Band info: Stiny Plamenu|| Svaltvinter || Mythic Dawn|| Dauthuz