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Showing posts with label Atmospheric Doom. Show all posts
Showing posts with label Atmospheric Doom. Show all posts

Monday, 2 April 2018

ALBUM REVIEW: My Silent Wake, "There Was Death"

By: Ernesto Aguilar

Album Type: Full Length
Date Released: 24/02/2018
Label: Minotauro Records



Whether it goes for the unhinged metal overdrive, which it strikes at moments, or the more auspicious, grinding approaches to its album, My Silent Wake has a method here. Overall "There Was Death" is a sturdy and powerful album in a catalog of one of UK metal's more intriguing acts.


“There Was Death” CD//DD//LP track listing:

1). A Dying Man’s Wish
2). Damnatio Memoriae
3). Killing Flaw
4). Ghosts of Parlous Lives
5). Mourning the Loss of the Living
6). There Was Death
7). Walls Within Walls
8). No End to Sorrow
9). An End To Suffering

The Review:

Putting forth 10 albums in just over 13 years in extreme music is quite a feat, yet My Silent Wake, a group hewing a path of doom-steeped death metal, has managed to do what for most performers is almost impossible. The UK stalwarts have return in 2018 with "There Was Death," a worthy chapter in their tenacious history.

Jaded listeners to the music might just stop at death/doom. Like blackened doom, the quantity versus quality issue is a real one. Where you will miss out is in the quintet's veteran chops. The group experienced considerable turnover about eight years ago. My Silent Wake'scurrent lineup was not in fact fully realized until around 2013, when it issued not one, but two, full-length albums ("Silver Under Midnight" and "Preservation Restoration Reconstruction"). However, its one constant, guitarist/vocalist Ian Arkley, has succeeded at keeping things focused. The assembled players make for a bit of a who's who in UK metal, including current and former members of Amputated, Striga, Seventh Angel and Amaranth, among others. This sort of experience is, as you might guess, helpful in keeping My Silent Wake, which debuted in 2005, going strong even after founding members Alan Southorn (bass), drummer Steve Allan and Andi Lee left the band in 2008, 2010 and 2011 respectively.

It is challenging to compare "There Was Death" to last year's "Invitation to Imperfection." With folkloric segues like "Pendulum" and dreamlike prog songs such as "Helgar Kindir" in the playlist, the new album is considerably heavier. Opening with "A Dying Man's Wish," My Silent Wake rock a wrenching style of doom this go around. As the similarly dense "Damnatio Memoriae" begins, the biggest internal contradiction for the group becomes more evident: is it a group inclined to more Paradise Lost-style riffing or one doing low-boil seethers like these songs and the third cut, "Killing Flaw"? Fair enough that this can be both and for the record, My Silent Wakedoes both styles exceedingly well. It is just difficult to trace where the group is headed. Yet such is a minor preference to what is a solid start for the album.

"Ghosts of Perilous Lives" slows down "There Was Death" with a deliciously uneasy plumbing of painful emotions and a mesmerizing arrangement to carry the day. You will also experience some clever orchestration in "Mourning the Loss of the Living," with a plaintive yet present bass and a forthright, resounding drum snap. The beauty in these songs is found in how the group exudes a confidence to its music. Though you might be unsure what direction My Silent Wake is headed, but clearly its members do. Whether it goes for the unhinged metal overdrive, which it strikes at moments, or the more auspicious, grinding approaches to its album, My Silent Wake has a method here.

The album's final third is My Silent Wakeat its most meditative on this recording. The subtle effects that undergird the ferocity of "Walls Within Walls" offer an almost mystical quality to the song, as it builds to a churning climax. The gentle strings and clean singing that begin "No End to Sorrow" clear the way for a heavy lidded doom in the most classic form. With the recording's wrap, "An End to Suffering," the band files off the hard edges of previous cuts with a Middle Eastern flavored acoustic flourish. Five minutes in, however, the song evolves into an almost symphonic bridge, with backing vocals and a primordial stew of prog guitars and smoldering bass. It's a beautiful ending, which might have benefitted by being slightly tighter. Don't let that detract from the gorgeous arrangement, however.

My Silent Wake deserves much credit for continuing to hone its craft in spite of staffing changes and the march of time. Minor improvements aside, "There Was Death" is a sturdy and powerful album in a catalog of one of UK metal's more intriguing acts.


“There Was Death” is available here



Band info: bandcamp || facebook

Friday, 14 April 2017

ALBUM REVIEW: Kenoma - "The Tides Will Prevail"

By: Charlie Butler

Album Type: Full Length
Date Released: 28/04/2017
Label: Translation Loss



Kenoma are firmly focused on the metal side of the post-metal equation for the most part of “The Tides Will Prevail” and manage to create huge, enveloping sound constructions reliant on intricate interlocking guitar parts rather than a phalanx of effects pedals.  The albums extended gestation period has produced an absorbing set of finely honed post-metal behemoths.

“The Tides Will Prevail” CD//DD//LP track listing:

1). The 33rd Parallel
2). 1913
3). Curse of Tecumseh
4). Sleeping Prophet
5). Nature of Empire

The Review:

Bands often take their time to craft their debut full-length but it rarely takes a staggering eleven years. Dayton, Ohio instrumentalists Kenoma have had some ups and downs since their 2006 split with Mouth of the Architect but they have battled through and now emerge triumphant with “The Tides Will Prevail”.

This extended gestation period has produced an absorbing set of finely honed post-metal behemoths. “33rd Parallel”begins in crushing fashion, a slow motion crawl with echoes of Yob and Pallbearer. A stirring melodic guitar line rises from the smouldering ashes of this introduction that drives the track towards an epic riff onslaught. Kenomaare firmly focused on the metal side of the post-metal equation for the most part of “The Tides Will Prevail” and manage to create huge, enveloping sound constructions reliant on intricate interlocking guitar parts rather than a phalanx of effects pedals.

The band are not completely averse to the subtle integration of otherworldly textures into the mix though. “Sleeping Prophet” opens with a wall of woozy synths that morph into hazy psych rock in the vein of Grails while apocalyptic closer “Nature of Empire” starts as a menacing cloud of delayed guitars then erupts into punishing doom laden with samples of air raid sirens. Even when Kenoma lay off the volume it is never long until they unleash their full weight again, like when the sparse nocturnal quiet of “Curse Of Tecumseh” is engulfed by a wave of sweet distortion.

Kenoma’s distinct brand of sludged-up, riff-heavy post-metal is a welcome racket in 2017. Let’s hope it doesn’t take another eleven years to produce the follow-up to “The Tides Will Prevail”.

“The Tides Will Prevail” is available to preorder/buy here


Band info: bandcamp || facebook

Monday, 21 November 2016

VIDEO PREMIERE: "evocative, unyielding, vast and overwhelmingly fulfilling" Atmopheric doom band Soothsayer debut "Umpire"



I have foreseen the future; the divination ushered forth from the rites of The Sludgelordextols a warning that a ruination is afoot from the foothills of Ireland.   Soothsayer are set to arrive with a tumultuous sophomore album,  in the form of their new masterpiece, 'At This Great Depth'which sees the band fallowing up their rapturous debut, with two new diabolic verses, that exude greater emotional range and yet remain vast, expansive and herculean in their alluring riffage.  

From this body of work merges a subtle myriad of influences into a cohesive, powerful sound unlike any other. This is atmospheric doom/sludge juxtaposed against a backdrop of sweeping black metal, giving a lurid yet wistful quality stirring up buried memories by way of its strangely alluring riffing and unconventional song writing. These stirring lamentations, are symbolic of both the suffering as well as the endless glimmers of hope flashing throughout them in life. Soothsayer'sartistic expressionism is evocative, unyielding, vast but most importantly overwhelmingly fulfilling.   

See what you think with today’s premiere of the 16 minute monolith that is “Umpire” which you can checkout below.  'At This Great Depth' will be released on 30/12/2006 but is available to buy here






Band info: bandcamp|| facebook


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