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Showing posts with label Suicidal Tendencies. Show all posts
Showing posts with label Suicidal Tendencies. Show all posts

Tuesday, 23 May 2017

ALBUM REVIEW: Body Count - "Bloodlust"

By: Richard Maw

Album Type: Full Length
Date Released: 31/03/2017
Label: Century Media Records
 

The production is superb, the performances fantastic and Ice-T turns in a stellar vocal performance.  Is this album as real as it gets? I have no idea, but it certainly seems convincing. Harrowing and enjoyable at the same time.

“Bloodlust” CD//DD//LP track listing:

1). Civil War (ft Dave Mustaine)
2). The Ski Mask Way
3). This Is Why We Ride
4). All Love Is Lost (ft Max Cavalera)
5). Raining In Blood/Postmortem 2017
6). God, Please Believe Me
7). Walk With Me (ft Randy Blythe)
8). Here I Go Again
9). No Lives Matter
10). Bloodlust
11). Black Hoodie

The Review:

Body Count are very much a going concern again. “Manslaughter”from a  couple of years ago went way beyond the tin-pot production values of earlier albums and delivered a muscular set of hardcore infused metal anthems.

With “Blood Lust”, Ice-T, Ernie C and side men are back in that groove again: the album is sometimes fast, often furious and packed with social commentary. A track by track is somewhat redundant here, so let's focus on the highlights and the overall theme of the album. Dave Mustaine pops up on opener “Civil War”, Randy Blythe of Lamb of Godpops up for a vocal cameo later... all the tracks bristle with rage against society, authority and anything else you can name, really.

It's a dark and violent listen; “The Ski Mask Way” puts you in the mind of a violent criminal (and lists who tempts them), while Ice explains his perspective on revenge elsewhere on the record. Of course, Ice-T as a former soldier and very real gang member in South Central LA has more than a passing acquaintance with violence- albeit that those experiences are most likely decades in the rear view mirror- but it is that life experience that gives Body Count'smessage some level of gravitas. While I have no idea about the rest of the band's criminal past or hood credentials (Ernie C's most serious past crime is still the production to Sabbath'sForbidden”in the mid 90's in my view!), this is Ice's show. There is not a dragon, a dungeon or a noble quest within earshot. The premise is simple: the world is a mess, poverty is the real demon, people are evil, violent, selfish and lacking in loyalty and honour.

The explanation of Body Count prior to the, it has to be said, masterful Slayer cover(s) sums up Body Count very well: the doom sound of Sabbath, the street style of Suicidal Tendencies (scary dudes for sure) and the speed of Slayer. Ice-T is not playing at doing metal; he really loves it. I've always been fond of Body Count and Ice's solo hip hop albums (particularly “Home Invasion”, if you are asking).

The final three tracks are an urban dystopian nightmare; “No Lives Matter”decries race, poverty and, more importantly, the elite in a coherent and stinging manner. The title track is simply uncomfortable listening- and most definitely not for pacifists- while the coup de grace of “Black Hoodie” gives good commentary about what exactly is going on in America with the police and black people (according to Ice-T, at any rate).

The heroes and villains in Body Count'sworld are often two sides of the same coin, it seems. Much like rooting for Jason in the Friday 13th movies, you kind of want some people to “get what they deserve”- such is the appeal of gangsta rap as well as this kind of brutal metal. It's an exhausting listen and one that is a good deal more horrific than any death metal album you can care to name. At the end of listening to this record, I feel luckier than ever to live in the UK, that's for sure.

The production is superb, the performances fantastic and Ice-T turns in a vocal and lyrical performance that is a million miles away from his cosier TV appearances and persona. As real as it gets? I have no idea, but it certainly seems convincing. Harrowing and enjoyable at the same time.

Bloodlust” is available now
 




Band info: facebook

Sunday, 8 January 2017

THE 16 MOST POPULAR ALBUMS OF 2016: The Sour 16 End of Year List 2016


The Sour 16 End of Year List 2016
Whatever is going on in the world, in our personal lives, at work and at home, music is a constant source of escapism and as one year ends and another begins, the prospect that 2017 will bring another batch of fantastic releases is a mouth watering prospect. 

So, with that in mind, today we present the culmination of our efforts from 2016 and present “The Most Popular Albums of 2016” for your viewing pleasure.  I hope you had as much fun checking out the new music as we did presenting it to you. I’d like to bestow an immeasurable amount of gratitude to the contributors, who made this year so awesome. 

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 


16). Gozu - "Revival” (1753) 

At their core, Gozu is a bad ass American rock band. They’ve got heavy riffs in tow and bang out tunes loud enough to piss off the neighbors. But Gozu is more than this. Gozu is a songwriting machine, one that is able to churn out eight loud, hard hitting compositions without sacrificing the meaning behind the songs or the band.  Gozu’s “Revival” is gruff and dirty when it needs to be just as it’s swift and soulful when the time is right.


15). Slomatics - "Future Echo Returns" (1818)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.


14) Rob Zombie - "The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser" (1935)

Rob Zombie hits a home run with each gnarly cut, keeping the fire hot throughout. Pastor Snow was right. Rock n’ roll has a great beat. And that evil feeling you feel when you sing it? It’s a good feeling to feel!


13) Conan – “Revengeance” (1964)

The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in.  Have Conan outdone themselves? Quite possibly.


12). Neurosis - “Fire Within Fires” (2056)

As this decade has yet to close, it's difficult to define what Neurosis are...but herein lies their beauty; you define who and what they are to you. After 30 years, these guys know what needs to go into a Neurosis record and will continue to do so until the music is finished with them.


11). Periphery- "Periphery III: Select Difficulty" (2137)

Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?

 

10). Asteroid - "III" (2159)

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.


 09). Dunsmuir - "Dunsmuir" (2341)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.


08). Wretch – “Wretch” (2673)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.



07). Subrosa- "For This We Fought the Battle of Ages" (3040)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.


06). Meshuggah - "The Violent Sleep of Reason” (3065)

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.


05). Gojira - "Magma”(3156)

‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time.  It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.


04). Suicidal Tendencies - "World Gone Mad" (3326)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 

 

03). Blood Ceremony “Lord of Misrule” (4006)

If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.


02). Megadeth - "Dystopia" (6616)

This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21st century output.  It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.


1). Alter Bridge - (20,702)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed.



A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Dan Brownson, Jake Wallace, Phil Weller, Chris Markwell, Chris Bull & Victor Van Ommen

Wednesday, 5 October 2016

GOTHIC INDONESIA PRESENTS: The Sour 16 for September 2016

By: Aaron Pickford

 
 
It is that time once again people to cast our minds back, and digest the 16 albums that would become September’s most viewed albums and form the basis for our sacrilegious Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.
 
You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in September, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.
 
The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 


16). Worshipper - "Shadow Hymns (475) 

Musically, with this being somewhere between Black Sabbath (Dio era in particular), Monster Magnet and anything from Witchfinder General to Angel Witch I feel that there is something for most metal fans to enjoy here. Throughout the eights tracks there are lots of ideas, lots of riffs and uniformly great performances from the band. This album surprised me with its scope and approach, so please lend your support and check Worshipper out as this is a rewarding and well crafted album.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-worshipper-shadow-hymns.html



15). Thou - "Peasant" (2016) (536)

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-thou-peasant-reissue.html



14) Usurpress - "The Regal Tribe" (651)


This album is an album, in a profound, coherent and meaningfWorshiul way. It is heavy, dripping with dynamic and interesting, organic changes. The sound is warm but never suffocating, and it is brutal both when holding back (“The Mortal Tribes”) and unleashing (“Behold the Forsaken”). I hate to use the word genre-defying, but whatever fusion of death, doom, stoner and black metal Usurpress have evolved into, it is their voice, it is seamless and mature, and displays no sense of affectation.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-usurpress-royal-tribe.html



13) Lesbian – “Hallucinogensis (656)

“Pyramidal Existinctualism” sounds like Mastodon after their drinks have been spiked with LSD and “Kosmoceratops” is epic fist-pumping thrash that takes a left turn into weird, uncharted territory. “Labrea Borealis” and“Aquilibrium” contain more melodic passages that expand the band’s horizons further into cinematic grandeur before crashing back to Earth for further, wild fretboard explorations. Overall “Hallucinogenesis”sees Lesbian achieve a perfect balance of labyrinthine complexity and headbanging simplicity.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-lesbian-hallucinogenesis.html



12). Tardive Dyskinesia - “Harmonic Confusion” (677)

From cellos to righteous crescendos, this song album plumbs the depths of heavy prog and, weirdly, allows the listener to reach new heights as a result. Paradoxical? Sure. Bloody invigorating? You better believe it, buddy. 10 tracks of heavy, expressive, expansive music, just waiting to show you just how mythical Greek metal can be. Pray to the Old Gods, and seek salvation in‘Harmonic Confusion’.

http://thesludgelord.blogspot.co.uk/2016/09/album-review-harmonic-confusion-by.html
 

11). Brant Bjork - "Tao of the Devil" (703)

In short, “Tao of the Devil” isn’t much different than Brant’s other albums in that it’s both a look back and a step forward. And like his other solo albums, this one can stand alone as a prime example of what Brant Bjork does best.

http://thesludgelord.blogspot.co.uk/2016/09/album-review-brant-bjork-tao-of-devil.html



10). Asatta - "Spiralling Into Oblivion" (768)

This is cracking stuff and a worthy addition to the ever expanding doom canon, "Three Dials”is Crushingly heavy and really fucking noisy, "Lapse” features some swinging grooves to go with the slothful doom sounds, “She Died Long Ago” is a slow trudge through the darkest of doom- and echoes Candlemass rather than Conan in its approach. A fine debut then and an indication that there are great things to come from Asatta, who have positioned themselves up there with modern doom's elite.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-asatta-spiralling-into.html



09). Mouth of the Architect - "Gates of Flesh" (815)

“Path Of Eight”is a fine demonstration of a band evolving their sound without losing sight of what made them great in the first place. Mouth of the Architect have come into their own with this record and hopefully it will gain them some much deserved attention.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-mouth-of-architect-path-of.html



08). Khemmis – “Hunted” (891)

Overall, ‘Hunted’ is an extremely solid follow-up to their critically acclaimed first album. It is a melting pot of some hugely powerful styles of heavy metal music and the flawless coalescence between cataclysmic doom and melodic prog is a truly impressive feat. Khemmis are a band on a mission and so far, they’re doing it all right.

http://thesludgelord.blogspot.co.uk/2016/09/album-review-khemmis-hunted.html


07). Mammoth Weed Wizard Bastard - "Y Proffwyd Dwyll" (928)

“Y Proffwyd Dwyll” is a celestial voyage of crushing density. “Valmasque” sets the tone for the album, establishing a towering wall of sound built from huge lumbering riffs, set against a backdrop of swirling space noise and sci-fi synths that enhance their attack and swell their sound to a galactic scale. Mammoth Weed Wizard Bastard have struck gold here with their distinct brand of spaced-out carnage.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-mammoth-weed-wizard.html


06). Trap Them - "Crown Feral" (1035)

...the tracks that are strong, like “Hellionaires” and “Revival Spines” in particular, really need to be considered the best stuff Trap Them has ever written. And while opening track “Kindred Dirt” didn't immerse me in the album in the way I'd hoped, by the time we reach “Twitching in the Auras”,there can be no doubt that Trap Them have made a definitive and impressive move forward on all fronts. The sound is overall excellent. Lyrics are angry and powerful and riffs are deep and plentiful. Strongly recommend, and an excellent reason to continue to follow this excellent band closely.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-trap-them-crown-feral.html


05). Giraffe Tongue Orchestra - "Broken Line" (1362)

Giraffe Tongue Orchestra have forged a sound that is unlike any other and more than just the sum of all its parts. “Broken Lines” is, in all, diverse and thrilling and one of the most unpredictable records you’ll hear all year.

http://thesludgelord.blogspot.co.uk/2016/09/album-review-giraffe-tongue-orchestra.html


04). Meshuggah - "The Violent Sleep of Reason" (1529)

Trying to describe Meshuggah’s sound is a challenge. The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from. Tracks like ‘MonstoCity’and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place. In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present. It all hits, and hits hard.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-meshuggah-violent-sleep-of.html



03). Ayahuasca – “YIN” (1631)

Throughout, nothing ever quite sits right, like a jigsaw with a few missing pieces: The spasmodic guitar work of ‘Dark Matter God’ is a fitting example of this. Yet they find, upon that uncomfortable platform, a way to drill into your psyche excellently. It may be weird, but it has an uncanny way of selling itself to you.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-full-album-stream.html



02). Neurosis - "Fires Within Fires" (1674)

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-neurosis-fires-within-fires.html



1). Suicdial Tendencies - "World Gone Mad" (2363)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever. This one’s a home run with a bullet.

 
http://thesludgelord.blogspot.co.uk/2016/09/album-review-suicidal-tendencies-world.html



A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler, Chris Bull, Victor Van Ommen, Philip Weller, Conor O’Dea, Jake Wallace, Chris Markwell & Jay Hampshire

Friday, 23 September 2016

ALBUM REVIEW: Suicidal Tendencies – “World Gone Mad”

By Theron Moore

Album Type: Full Length
Date Released: 30/09/2016
Label: Suicidal Records

 
It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 
 
“World Gone Mad” CD//DD track listing:
 
1). Clap Like Ozzy
2). The New Degeneration
3). Living For Life
4). Get Your Fight On!
5). World Gone Mad!
6). Happy Never After
7). One Finger Salute
8). Damage Control
9). The Struggle Is Real
10). Still Dying To Live
11). This World
 
 
The Review:
 
This record’s a battleship.  The crew, Suicidal, are armed and ready.  The waters they navigate are treacherous in a “World Gone Mad.  I’ve listened to this record three times so far, this is what we’ve been waiting for -- a rock solid return to their punk roots and a celebration of their metal soul.  Most of all, though, I feel like “World Gone Mad” is a document of our times. 
 
The record drops at the end of September, right in the middle of a crazy presidential election, at a time when terrorism is at its screaming worst, and racial tensions are at an all-time high.  And this record reflects all of that. And more.  World Gone Mad” has a dark and ominous tone that creeps through the record.  Track four, “Get Your Fight On”sums it up lyrically – “…just look around, the world’s gone crazy…if you’re waiting on a hero we’ll all be dead…”  This record has heart and soul.  There’s a vibe of continuity that’s almost unsettling here, guiding the listener in very calculated fashion.   It has purpose and direction.  This is S/T at the very TOP of their game.
 
World Gone Mad” is a proper return to the sound they perfected in the 80’s that straddles their punk roots ala their debut record and the metal edge coupled with Muir’s critical humor and societal eye of “Lights…Camera…”  The band sounds fresh, tight and reinvigorated with the addition of Dave Lombardo on drums.  I say this for a reason.  The drumming stands out on this record like an exclamation point and at times rallies the band with a cohesiveness I haven’t heard in quite a while.
 
“Clap Like Ozzy” sets the tone for the rest of the record:  Warpath.  Mosh fest.  Fast punky guitar and drumming the way it used to be.  Overall, the songs on this record, especially “Clap…” and “Living for Life” seem like polished versions of songs that could’ve been on their first, self-titled record.  I can’t emphasize this enough.  Muir and band have reconnected with S/T’spast in a way I didn’t think would happen again.  And it sounds real, not forced, genuine. 
 
The New Degeneration” might be the most honest indictment of today’s kids I’ve heard so far.  Where’s the rage and anger?  Where’s the demand for change?  Why the canned rebellion and not a call for action, true action instead of slaving to social media and the like?  You can hear Muir’s questioning, Muir’s anger in this song.
 
I mentioned “Living for Life,” before.  It stuck with me because it has a Dead Kennedy’sgroove to it, S/Tstyle.  Again, a song that could’ve easily been on their debut record.  Lombardo’s drumming makes this song and it shows.  This is where the band rallies around Dave, taking the lead and setting Muir up to go in for the kill.
 
 
I could keep describing songs but the truth, is, there’s not a bum track on this record.  It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  It’s already made my best of 2016 list.  Band chemistry is killer with this lineup.  This one’s a home run with a bullet.  Buy it.
 
“World Gone Mad”is available to pre-order here
 
Band info: official || facebook

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