THE 16 MOST POPULAR ALBUMS OF 2016: The Sour 16 End of Year List 2016

The Sour 16 End of Year List 2016

Whatever is going on in the world, in our personal lives, at work and at home, music is a constant source of escapism and as one year ends and another begins, the prospect that 2017 will bring another batch of fantastic releases is a mouth watering prospect. 

So, with that in mind, today we present the culmination of our efforts from 2016 and present “The Most Popular Albums of 2016” for your viewing pleasure.  I hope you had as much fun checking out the new music as we did presenting it to you. I’d like to bestow an immeasurable amount of gratitude to the contributors, who made this year so awesome. 

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 

16). Gozu - "Revival” (1753) 

At their core, Gozu is a bad ass American rock band. They’ve got heavy riffs in tow and bang out tunes loud enough to piss off the neighbors. But Gozu is more than this. Gozu is a songwriting machine, one that is able to churn out eight loud, hard hitting compositions without sacrificing the meaning behind the songs or the band.  Gozu’s “Revival” is gruff and dirty when it needs to be just as it’s swift and soulful when the time is right.

15). Slomatics - "Future Echo Returns" (1818)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.

14) Rob Zombie - "The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser" (1935)

Rob Zombie hits a home run with each gnarly cut, keeping the fire hot throughout. Pastor Snow was right. Rock n’ roll has a great beat. And that evil feeling you feel when you sing it? It’s a good feeling to feel!

13) Conan – “Revengeance” (1964)

The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in.  Have Conan outdone themselves? Quite possibly.

12). Neurosis - “Fire Within Fires” (2056)

As this decade has yet to close, it's difficult to define what Neurosis are...but herein lies their beauty; you define who and what they are to you. After 30 years, these guys know what needs to go into a Neurosis record and will continue to do so until the music is finished with them.

11). Periphery- "Periphery III: Select Difficulty" (2137)

Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?

 

10). Asteroid - "III" (2159)

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.

 09). Dunsmuir - "Dunsmuir" (2341)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.

08). Wretch – “Wretch” (2673)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.

07). Subrosa- "For This We Fought the Battle of Ages" (3040)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.

06). Meshuggah - "The Violent Sleep of Reason” (3065)

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.

05). Gojira - "Magma”(3156)

‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time.  It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.

04). Suicidal Tendencies - "World Gone Mad" (3326)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 

 

03). Blood Ceremony – “Lord of Misrule” (4006)

If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.

02). Megadeth - "Dystopia" (6616)

This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21^st century output.  It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.

1). Alter Bridge - (20,702)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed.

A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Dan Brownson, Jake Wallace, Phil Weller, Chris Markwell, Chris Bull & Victor Van Ommen

TOP 16 ALBUMS: The Sour 16 Chart for October 2016

By: Aaron Pickford



Alter Bridge

It is that time once again people to cast our minds back, and digest the 16 albums that would become October’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in October, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication is highlighted in red). 

16). Headless Kross - "Projection I” (377)

 

15). Holy Serpent - "Temples" (404)

All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.

14) Truckfighters - "V" (406)

All in all, a solid offering; a sound that is current; one that rocks effortlessly and one that proves regardless of line-up changes Truckfighters continue to be strong.

13) Zaum – “Eidolon (423)

“What makes Zaum’s music so intoxicating is the sheer density of their sound. Layers of synths, sitars, flutes and who knows what else, build up to create a foundation of all-encompassing drone for the bands epic compositions.  Prepare to be transported to a higher realm.”

12). Various Artists - “Meantime (Redux)” (442)

Meantime (Redux)” is a face-melting reinterpretation of what many consider Helmet’s finest hour, it   pulls off the tricky balance of paying respectful tribute to a classic album while being an excellent listen in its own right. Hopefully it will introduce long-term Helmet fans to some exciting new bands and make any other people with their ears stuck in the underground realise that Helmet were great all along.

11). Charred Wall of the Damned - "Creatures Watching Over The Dead" (460)

Richard Christy & Co have created something special with “Creatures Watching over the Dead.” It needs to be heard and talked about.  This is metal with heart.  Metal with soul.  And most of all?  Metal that’s larger than life.

10). Vermin Womb - "Decline" (541)

Vermin Womb succinctly distill the essence of their sound into one word: “Violence”.  It is a grimly exhilarating ride, but an oppressive racket that is hard to resist.

09). Yawning Man - "Historical Graffiti" (563)

“Historical Graffiti” is a drug that calms the soul of the listener”

08). Obsidian Kingdom – “A Year of No Summer” (578)

 

“This record is well constructed and the instrumentation is very impressive. But for those looking for similar fare to their previous work, they’d best keep looking.”

07). Black Tomb - "Black Tomb" (585)

 

06). Fistula - "The Shape of Doom to Cumm)))" (612)

The Shape of Doom to Cumm)))” is dripping with sardonic hatred for scenesters and fad chasers, scrapping rusty barbed wire across the speakers as if to wound those who listen. They bring the noise, the hate, and will tell you to your face if there’s even a hint at being a douchebag.

 

05). Witchthroat Serpent - "Sang-Dragon" (640)

This is a dominating record and something which the band can be sure will appeal to all kinds of fans of stoner doom and sludge. Witchthroat Serpent have left a deep scar in the genre and it will take a long time to heal with a record so devastatingly heavy.

 

04). Watchtower  - "Concepts of Math: Book One" (781)

The guitars crunch, the vocals bite, and the band chemistry shines through on each song, almost as if they know what each other’s gonna do before they do it. A near perfect record, which for Watchtower, is pretty much par for the course.

03). 40 Watt Sun – “Wider Than The Sky” (827)

Although the record may find itself on the fringes of metal, the empathetic feelings Walkershares over soaring ten minute tracks should cause anyone who has felt anything before to reflect in some meaningful way. “Wider than the Sky” challenges its listeners to reflect for themselves, because after all it’s important to remember where one stands. 40 Watt Sun’s latest record is likely to find itself among the best records released this year.

02). Asteroid - "III" (1716)

 

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.

 

1). Alter Bridge - "The Last Hero" (20494)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridgeare leading lights in modern rock and may well be the last of a dying breed.

 

A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler,  Victor Van Ommen, TJ Kliebhan, Jake Wallace, Hunter Young, Kat Hilton, Stiq & Jay Hampshire







"The Asteroid has Landed": INTERVIEW with Robin and Johannes of Asteroid & SONG PREMIERE of "Wolf & Snake"

The Asteroid has landed with new album “III”, it has been almost 7 years since their well-renowned second album ‘II’ was released and the band are back with their most polished, solid record to date. For well over a decade, Asteroid, one of the scenes leading lights in the heavy psych community and with a sound firmly rooted in the hard-hitting field of stoner rock the third instalment in Asteroid’s spectacular ascendancy is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz.

This is a band who are firmly on the rise to the top and know exactly how to get there. Armed with one of the best releases of 2016, Jake Wallace caught up with band for a quick interview and if that wasn’t enough we have an exclusive stream of “Wolf & Snake”, which you can stream and share at the end of this article. 

SL: Hi guys, thanks for taking the time to do this interview. How are you guys doing today?

Robin & Johannes: Hey! Well actually I'm a little bit sick at the moment, got a bad cough after the last tour. But it's getting better so next week it's buissiness as usual.

SL: Your new record 'III' is a phenomenal album as I highlighted in my review for The Sludgelord. The first thing I’d like to ask is how the idea for the artwork came about?

R & J: Thank you very much, we are very proud of how it turned out. The art work for the album was put together by the amazing Mr Jerker Josefsson, who also worked with us on our new merchandise. We were throwing around ideas for the cover and came up with a couple of different concepts. This being one of them and actually the first one we tried. The photo turned out so good we didn't even try the other ideas...

SL: Can you give an overview on the main thought process for the album and which direction you wanted to take the music in comparison to your second album?

R & J: There has never been a main thought behind any of the albums. As soon as two or three songs come together, the rest of them sort of come natural and fill in the gaps of what we think is needed to make an album feel complete. It's very important that an album has a flow to it, ups and downs, ins and outs.

SL: Who were your main musical influences for the style of the songs on 'III'?

R & J: Hehe, I think we have the same influences as we've always had, we've just gotten better at making the songs sound the way we want them to.

SL: How do the songs usually come about? Does it begin with a guitar riff or do the lyrics set the theme for the music?

R &J: It can be any number of things. A guitar riff, a drum beat or a lyric. My phone is full of 10 second riffs or just me humming something. It can come from anywhere. I've used lines my friends and family say for lyrics and some have started from a beat I got from a machine. Most of “II” was written when I worked with Elvis at a printers standing across from an old cast-iron machine doing different rhythmic patterns. The mind starts to make up fun stuff when you do something monotonous.

SL: Was it a difficult process to write and record this album or did you find it to be manageable?

R & J: A bit, yes. We didn't have as much time to write and rehearse the songs as we did with “II”. So we had to do things a little different this time. The last song was actually written and recorded when everything else was already done. We have our good friend Mr Philip Saxin, who mixed and mastered the album, to thank for making it sound as good as it does! But it was hard work getting it done in time for sure.

SL: Asteroid is now a very well-known name in the world of stoner/fuzz rock, did you ever think you would achieve such recognition?

R & J: When me and Johannes started the band back in 2004 we didn't think much more of it than any other time you've started a band when drunk. So now, almost 12 year later, it feels very cool to still be able to make music that people find enjoyable. We never thought we would end up where we are today.

SL: What is the music scene like in Sweden? Were there many other bands playing similar music when you were first starting out?

R & J: When we started we were kind of the"odd man out"... Only a hand full of bands in Sweden were doing similar stuff and it was tough getting people to understand what the hell we were doing. When people don't understand something, they tend to get a bit uncomfortable, so it took some time o find our audience.

SL: What has been your most memorable gig/festival to date and where would be the ultimate venue to play?

R & J: Well that's a hard one... I remember one gig when we first started out, playing at a high school senior dance. Talk about being out of place! The weird ones always stand out. Utimate venue... Hm, hard to say. I like it when people dance and sing along to the songs, so I guess anywhere where people are happy and enjoying themselves.

SL: What bands are you guys listening to at the minute? Who is the hottest talent in the genre today?

R & J: Well our friends in Blues Pillsare great, Dorian was kind enough to lay down a solo for the album. Uncle Acid & The Dead Beats are good to, as well as Kadavar. Not to mention the darling lads in Limestone Whale, whom we spent the last couple of weeks on tour with.

SL: What is the future for the band? Where do you see yourselves in 5 years time?

R & J: I guess we'll keep making music and exploring what we can do, keep moving forward. We'd love to be able to do this for a living, but as you know that's not easy these days. We've started booking for next year and we're gonna try to visit a lot more places we've never been. And new music is on the horizon as well. But first we 're gonna spread the gospel of Asteroid“III”.

SL: Cheers for taking the time to chat, I wish you guys all the best in the future!

R & J: Thanks, it's been a pleasure. All the best to you all.

The End

Band info: facebook

ALBUM REVIEW: Asteroid - "III"

By: Jake Wallace

Album Type: Full Length
Date Released: 11/11/2016
Label: Fuzzorama Records

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.

“III” CD//DD//LP Track listing

1). Pale Moon
2). Last Days
3). Til' Dawn
4). Wolf & Snake
5). Silver & Gold
6). Them Calling
7). Mr. Strange

The Review:

The Asteroid has landed. Swedish heavy psych giants Asteroid have set the release date for their highly-anticipated third album for 11th November through Fuzzorama Records. It has been almost 7 years since their well-renowned second album ‘II’ was released and the band are back with their most polished, solid record to date. A 7-track album following the naming trend of its predecessors, this is Asteroid - ‘III’.

Firstly, the album artwork is strikingly brilliant. Whoever is in charge of the design and creative direction of Asteroid deserves credit for an unbelievably eye-catching and vintage styled arrangement of their instruments taking pride of place as the album cover.

The album kicks off with ‘Pale Moon’delivering a thick, rumbling bass line which gives way to some eerie psychedelic slide-guitar work. It has a triumphant sounding vibe with lots of dark nuances that give it a truly evil sound. It also has a somewhat spacey feel, with effects playing their part in the backdrop towards the end as the song comes to a close.

‘Last Days’ is the second track from the album and was the first track that was publicly released on Bandcamp by the band after announcing the news of the record coming out this fall. The intro has some nice big chords and paves the way for what’s to come as the vibe changes abruptly. Robin Hirse’s vocals begin as the song slows down and takes on a very similar vocal feel to Alice in Chain’slate great vocalist Layne Staleyin ‘Love/Hate/Love’. Memories of the opening track, ‘The Great Unknown’, from their first release are also re-kindled in this track. The guitar effects bring some very unique sounds to the table and the drum breakdowns are instrumental in making those parts as hard-hitting as they are around the 3:40 mark. The chord section comes back round again at 4:06 and reminds me of a Dead Meadow or Screaming Treeskind of feel. Two tracks in and we already have a diverse selection of music and it’s evident that Asteroid haven’t rushed into their song writing, it was most certainly worth the wait.

The third track ’Til Dawn’ rips back into the classic stoner rock style that we know and love Asteroid for. Their dynamic skill of switching from fuzzed riffs to beautiful, clean sounds is remarkable and they flit effortlessly between the two styles. The middle-end section slows down and each chord is powerfully punched out with some impeccable harmonised vocal parts between Hirse and Johannes Nilsson on bass. Drummer Jimmi Kohlscheen stands out on this final section as the drums are building in power and ferocity as the track climaxes before winding down with ease and ending on another sweet, clean chord.

‘Wolf & Snake’ has a very mellow vibe and reminds me of something that should be played as the sun sets on the beach at the infamous Dunajam Festival. This specific style of stoner rock is extremely pure and incorporates both the calm, mellow vibes and the earth-shaking fuzz. The intro section reminds me a lot of bands like Colour Haze and Sungrazer although Asteroidhave their own brand of heavy psych and it’s still incredibly unique. At the 2:00 mark, the song takes off with a blasting rhythm section and some lead parts from Hirse, showcasing his searing guitar abilities. The drums and bass are extremely tight and give Hirse a blank canvas to let rip. Near the 3:50 mark, the tempo drops and the fuzz doubles and we’re witnesses to a crushing, sludgy section. The final outro section is another sharp contrast with clean guitar playing some beautiful sounds.

‘Silver & Gold’ begins with a slow, angelic sounding guitar section before the vocals come in and bring so much to the sound. This track stands out on its own and its superb blend of layered vocals and guitar, gives it that kind of Tarantino movie soundtrack feel, definitely one of my favourite songs on the album.

The penultimate song ‘Them Calling’takes things back up a few fuzz gears and we’re dropped into an Uncle Acid & the Deadbeats style riff which just rumbles on ferociously throughout the song. It also has elements of the late Graveyard from Sweden. Around 3:35 they flick on the ‘evil’ switch and the riff gets steeped in gloom.

The final track ‘Mr Strange’ makes use of some awesome guitar harmonies to begin with before progressing into a lighter sounding, almost Zeppelin-esque section. Around 3:20 the vibe changes again and we have another killer, thumping riff with some spaced out lead guitar dodging and diving through the mix. The end section has some chanting vocals which go extremely well with the harmonies and it all blends into a perfect stoner rock package.

‘III’ is a masterpiece of an album from a band who need no introduction or a manual on how to create masterpieces. It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.

“III” is available here

Band info: facebook

FFO: Colour Haze, Graveyard, Sungrazer, Dead Meadow