ALBUM REVIEW: Apocrophex, “Æternalis”

By: Richard Maw

Album Type: Full Length

Date Released: 18/05/2018

Label: Independent

The best kept secret in technical death metal? Maybe not for much longer- such is the dark and malevolent atmosphere of this album, I am confident that Apocrophex will be mentioned in the same breath as the big players of the genre.  This record is a must have

“Æternalis” CD//DD track listing:

1). Where Temples Are Older Than Trees

2). Implanted Genesis

3). Thwarting Dogma

4). The Oracle Room

5). Sovereign Symbol

6). Pareidolia

7). A Sentient Edifice

8). Neglected Megalith

The Review:

Apocrophex are a two man tech death tour de force from New Jersey. Their last record, “Suspended From The Cosmic Altar”, really impressed me back in 2015, so when the new album popped up in my inbox, I couldn't wait to hear it and get into the band's latest musical vision.

Sure enough, the band is on top form here. This is tech death of the most death metal variety. The lowest of growl vocals, serpentine riffage and labyrinthine song structures are the order of the day here. The vocals are mixed quite far back but at the right level to compliment the songs. Justin Buell does a phenomenal job on all instruments, while the vocals of Pete Colluci are integral to how the album plays out.

A special mention must be made here for Kevin Paradis who is playing here as a session drummer. His incredible work is a vast improvement over the programmed drums of “SFTCA” and really gives the record a huge boost- what a performance as well, almost inhuman. The atmosphere here is darker and more sinister than the debut and Buell works hard to make sure the bass and guitars have their own personality rather than just everything doubling everything else.

For anyone with an interest in tech death, this record is a must have. It is very brutal, very complex, very heavy and very technical. As is often the case, picking stand out songs on a tech death album is not easy, so instead I can reliably inform you that everything from “Where Temples Are Older Than Trees” to “Neglected Megalith” represents the very apex of the sub-genre. For this album to have come from the vision of a two piece band is quite an achievement.

I have no idea if Apocrophexhave any inkling to get a full time drummer and hit the road, or if they are happy creating their sonic landscapes in the studio. Listened to in full, the album is exhausting and breathtaking in all the best ways so either option is surely there for them.

The best kept secret in technical death metal? Maybe not for much longer- such is the dark and malevolent atmosphere of this album, I am confident that Apocrophexwill be mentioned in the same breath as the big players of the genre- they demonstrate just how far things have come from the days of Atheist, Cynic and Death whilst maintaining  a solid link to those classic bands by way of pushing the boundaries and the physical possibilities of what can be played.

“Æternalis” is available here

Band info: bandcamp|| facebook

ALBUM REVIEW: Garganjua, "Through The Void"

By: Ernesto Aguilar

Album Type: Full length

Date Released:11/05/2018

Label: Holy Roar Records

“Through The Void” CD//DD//LP track listing

1. Crushed Beneath the Tide

2. Adrift

3. Through the Void

4. A Distant Shore

The Review:

English progressive doom trio Garganjua came onto the scene not too long ago with fresh paint on a time-honored sound, to much conversation. Garganjuadoes a prog-infused stoner blend that is profoundly complex. While sounding familiar, there are many elements that are largely unexampled – languid chords that are more diverse than the standard stoner playbook, breakdowns that offer expansive arrangements that are mirthlessly heavy, and song compositions with three-part vocals that stay in a space where they manage to be long enough to tell a story without feeling bloated and exasperating. The band's debut EP "Trip Wizard" was well received when it came out in 2014. The 2016 full length, "A Voyage in Solitude," saw growing buzz for the young crew. The band closed out 2017 by announcing this four-song, 45-minute return.

"Crushed Beneath the Tide" launches Garganjua'snewest. Its vibe is a forewarning of the forthcoming cuts, with a lingering build and formidable bass assault by way of Gareth Owen. At 12 minutes, this is an adventurous opener, but Garganjua keep your attention with a mix of clean singing and rawer vocals. Later on, the lyrical divergence pays off quite handsomely. "Adrift" relies on power chords to set the scene, before cresting on a slab of drums courtesy of Benjamin Weston, and devastating vocals. While shorter, it is one of the better cuts off the release.

In the title track, it becomes clear that Garganjua are a quartet that is trying to submerge themselves into new places with its music. This song feels more emotional and purposeful, a moody opening, into a clean and not-clean crescendo, then rolling into a valley of guitars. The song is a small detour as far as what Garganjuanormally does, and it is a welcome shift. Now three records in, the band seems to be evolving in this regard. "Through the Void" as a song goes into some progressive metal riffage and pacing, for the better. As the track concludes, you have to appreciate Garganjuafor being willing to expand what you know of them.

The album ends with "A Distant Shore," a more proggy conclusion of an engaging return. Here you will find the guitar work by Scott Taylor and Gazz Chambers is at its finest, creating an atmosphere that is vast and unfathomable. The first two cuts on this release are solidly stoner through and through, but it's the last two tracks that prompts you to consider what Garganjuacan mature into. "A Distant Shore" is quite serene for the most part, but offers you something bolder as the song continues – its dirge is special compared to Garganjua's catalog. Where the group goes is anyone's guess, but this album is a powerful reflection of what Garganjua is and can become.

"Through The Void"is available here

Band info: bandcamp|| facebook